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ProCinema 72"-150" Motorized Fresnel ALR Floor Rising Screen Price range: $821.00 through $1,220.00
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Pro-Cinema UST Motorized Floor Rising Screen 72"-120" Price range: $1,238.00 through $1,940.00

Pro-Cinema Fixed Frame Screen UST ALR Thin Bezel 80″-120″

SKU: N/A

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Price range: $508.00 through $675.00

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Order Processing Time:
Please allow 1-2 business days for us to process your order.

Shipping Times:

Typical shipping time: 7-15 business days.

Important Note
  • It is the responsibility of the customer to provide a full and accurate delivery address.
    We cannot change your delivery address once the parcel has been dispatched.
    CynthiaScreen cannot be held responsible for lost parcels due to incomplete or inaccurate addresses.
  • Depending on your country’s import regulations, your order may incur additional charges such as import duties,or customs processing fees. These fees are determined and collected by your local customs authority and shall be paid directly by you (the recipient) upon delivery or when the package clears customs.
Tax Free Zone
  • USA
  • Canada
Weight N/A
Dimensions N/A
Model

CNF100HFSUST

,

CNF100HRGB

,

CNF110HFSUST

,

CNF110HRGB

,

CNF118HFSUST

,

CNF120HRGB

Frame

1CM

Screen Surface

Fresnel ALR Fabric

,

Triple Laser Fresbel ALR

Application

Ultra Short Throw projector

Screen Size

80inch

,

84inch

,

92inch

,

100inch

,

106inch

,

110inch

,

120inch

Description

Luxury isn’t seen,it’s experienced.

Thin Bezel Fixed Frame Screen

The fixed frame screen with Fresnel ALR (Ambient Light Rejecting) fabric represents the pinnacle of projection screen technology. Precision‑engineered for ultra-short-throw projectors and laser TV systems, with select models also optimized for standard-throw projectors. Featuring advanced micro-optical structures, this premium screen delivers exceptional image clarity, richly vibrant colors, and deep, inky contrasts—even in brightly lit environments.

fresnel alr

*Please note that due to continuous product upgrades, the installation methods for different batches may vary slightly, but the overall steps remain the same.

Thin Bezel Fixed Frame Screen

Designed for Ultra Short Focus. Engineered for Perfection

Fixed Frame Screen

1.2 Gain. Perfect Balance. Pure Picture.

Engineered for ultra-short focus projectors, our 1.2-gain Fresnel screen delivers just the right boost in brightness—without sacrificing color accuracy, viewing angle, or uniformity. Ideal for real homes, real lighting, and real cinematic immersion.

Engineered for Ultra Short Throw — Zero Hotspot, Perfect Uniformity

  • Reflects steep-angle projector light efficiently toward the viewer, ensuring uniform brightness and eliminating hotspots.
  • Rejects ambient light from above and the sides, dramatically improving contrast and color accuracy—even in bright rooms.
  • Offers optimized gain and narrow viewing angles, concentrating light where it’s needed most.
UST projector screen

120° of Pure Cinema — Everyone Gets the Best Seat.

No more fighting for the middle. With a 120° ultra-wide viewing angle, vivid colors and sharp contrast stay true from edge to edge. Perfect for family movie nights, game days, or any moment worth sharing.

FAQ

Get to know everything you want to know about screens.

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Whats Fresnel ALR Screen?
  • A Fresnel ALR (Ambient Light Rejecting) screen is a high-performance projection screen designed to deliver bright, high-contrast images even in well-lit environments. It uses a specialized optical structure based on the Fresnel lens principle, combined with micro-louver or angular reflective technology, to selectively reflect light from the projector while rejecting ambient light coming from above, below, or the sides.
  • We can provide Fresnel ALR fixed frame screen in size 80",84",92",100",110" and 120"
  • Yes, you can customize the size of the screen, up to a maximum of 120 inches.
  • This Fresnel ambient light rejecting (ALR) screen is designed for Ultra short throw projectors.If need a standard throw projector screen,Click here
Viewing DistanceRecommended Screen Size (16:9)
2.0 – 2.5 m≤ 84 inches
2.5 – 3.0 m84 – 100 inches
3.0 – 4.0 m100 – 120 inches ✅ (most popular for living rooms)
4.0 – 4.5 m120 – 135 inches
≥ 5.0 m150 inches or larger
  • A clean, smooth, matte-finish, truly white wall in a light-controlled room can work reasonably well for casual use. However, for consistent brightness, accurate colors, better contrast, and a professional viewing experience, a dedicated projection screen is strongly recommended.Using a dedicated projection screen offers several important advantages:
  1. Consistent Reflectivity: Projection screens are engineered with uniform surface materials that reflect light evenly, ensuring consistent brightness and color across the entire image. Walls often have texture, paint sheen variations, or subtle discolorations that can distort the picture.

  2. Optimized Gain and Viewing Angle: Screens are designed with specific gain levels and diffusion characteristics to balance brightness and viewing angles. A white wall typically has low and unpredictable gain, which may result in a dimmer or uneven image.

  3. Color Accuracy: High-quality screen materials maintain better color fidelity. Many white paints contain additives or tints (e.g., "off-white" or blue undertones) that can skew colors in your projected image.

  4. Reduced Hotspots and Glare: Projection screens minimize hotspots and ambient light reflections better than most walls, especially glossy or semi-gloss paints.

  5. Professional Appearance: A proper screen provides a clean, framed image with defined borders, enhancing the viewing experience and aesthetic.

  • Absolutely! You can easily install it yourself by following the user manual or watching the installation guide video. Typically, two people can complete the setup in about 1 to 2 hours.
Higher gain is not always better for projection screens.
While a higher gain (e.g., 1.5–2.5) boosts brightness by reflecting more light back toward the viewer, it often comes with trade-offs:
  • Narrower viewing angles – image dims or washes out when viewed off-center
  • Reduced color accuracy – colors may appear oversaturated or shifted
  • Poorer uniformity – risk of hotspots, glare, or visible texture
  • Increased sensitivity to ambient light in some designs
For most home theater or living room setups—especially with ultra-short focus projectors—a moderate gain (1.0–1.3) typically delivers the best balance of brightness, wide viewing angle, color fidelity, and consistent image quality.
In short: The ideal gain depends on your projector’s brightness, room lighting, and seating layout—not just the highest number.

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